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Boxed Set of 4 Absynthe Glasses c.1880108″ WIDE BACK
This fabric is a wide backing for Woodworking & Woodturning Tools.
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.108″ WIDE BACK
This fabric is a wide backing for 28 Waist.
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.4458″ – 60″ WIDE BACK
This fabric is made from Minky, not cotton.
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George Rowney Watercolour Box c.1890$ 94.0258″ – 60″ WIDE BACK
This fabric is made from Minky, not cotton.
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‘Narcissus’ Oil on Panel as Artist’s Palette$ 92.03
108″ WIDE BACK
This fabric is the factory backing for JDJ’s ‘Narcissus’ Oil on Panel as Artist’s Palette quilt kit.
Remnant length measures 1-yard 16-inches @ $22/yd
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Boxed Set of 4 Absynthe Glasses c.1880$ 93.51108″ WIDE BACK
This fabric is the factory backing for JDJ’s Boxed Set of 4 Absynthe Glasses c.1880 quilt kit.
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Camera Lucida c.1890. Inscribed$ 90.45108″ WIDE BACK
This fabric is the factory backing for JDJ’s Camera Lucida c.1890. Inscribed quilt kit.
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Champagne Flute c.1890$ 57.21108″ WIDE BACK
This fabric is the factory backing for JDJ’s Champagne Flute c.1890 quilt kit.
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.44
108″ WIDE BACK
The actual fabric does not look as gray in person compared to what I see on my screen. This fabric is a dusty indigo color. It has a little bit of gray in it but it reads a medium-light dusty blue with hints of pink and green throughout.
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Edwardian Inlaid Bijouterie Table, Circa 1900-1920sEdwardian Inlaid Bijouterie Table, Circa 1900-1920s$ 92.03
108″ WIDE BACK
Quantity “1” is for the 20″ remnant piece.
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.$ 53.64108″ WIDE BACK
This fabric is the factory backing for JDJ’s F. Darney & Co, Trammel Heads in Case. Paris c.1940., F. Darney & Co, Trammel Heads in Case. Paris c.1940. and F. Darney & Co, Trammel Heads in Case. Paris c.1940. quilt kits.
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George Rowney Watercolour Box c.1890
108″ WIDE BACK
Factory backing for Timeless Treasure’s Pernice collection.
This fabric is lighter in person than what shows on my screen.
Quantity “1” is for the 2-yard 10-inch continuous remnant piece @ $24/yd
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Boxed Set of 4 Absynthe Glasses c.1880
108″ WIDE BACK
Factory backing for Timeless Treasure’s Mouldings / Liners collection.
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.$ 53.64
108″ WIDE BACK
This wideback fabric is lighter in person than what appears on my screen and has a muted color tone.
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.44
108″ WIDE BACK
The actual fabric appears closest to the first two photos and is not as dark as the last two photos show.
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Boxed Set of 4 Absynthe Glasses c.1880
108″ WIDE BACK
Factory backing for Timeless Treasure’s Graphite collection.
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.44
108″ WIDE BACK
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Boxed Set of 4 Absynthe Glasses c.1880$ 93.51
116″ WIDE BACK
NOTE: This fabric is advertised as 107″/108″ from Riley Black. However, when I actually measure it in person, it’s much closer to 116″ WOF.
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Camera Lucida c.1890. Inscribed$ 90.45
116″ WIDE BACK
NOTE: This fabric is advertised as 107″/108″ from Riley Black. However, when I actually measure it in person, it’s much closer to 116″ WOF.
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Champagne Flute c.1890$ 57.21
116″ WIDE BACK
NOTE: This fabric is advertised as 107″/108″ from Riley Black. However, when I actually measure it in person, it’s much closer to 116″ WOF.
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Edwardian Inlaid Bijouterie Table, Circa 1900-1920s$ 92.03
116″ WIDE BACK
NOTE: This fabric is advertised as 107″/108″ from Riley Black. However, when I actually measure it in person, it’s much closer to 116″ WOF.
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.$ 53.64
116″ WIDE BACK
NOTE: This fabric is advertised as 107″/108″ from Riley Black. However, when I actually measure it in person, it’s much closer to 116″ WOF.
The actual fabric is closest to the first two photos and is a lighter green than what the manufacturer photos show.
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.44
116″ WIDE BACK
NOTE: This fabric is advertised as 107″/108″ from Riley Black. However, when I actually measure it in person, it’s much closer to 116″ WOF.
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Boxed Set of 4 Absynthe Glasses c.1880$ 93.51
B1854 Poppy – Pine Branches and Pinecone
106″ WIDE BACK
This red color is close to a Christmas red with an slight orange undertone. It is bold like it appears on my screen and the color looks pretty accurate too.
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Champagne Flute c.1890$ 57.21
The actual fabric appears closest to the first two photos and is not as purple as the last photo shows. This color is very close to the regular Champagne Flute c.1890 fabric
108″ WIDE BACK
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Edwardian Inlaid Bijouterie Table, Circa 1900-1920s$ 92.03
W1895-394 Merlot Watercolor Batik Wide Back
108″ WIDE BACK
The actual fabric appears closest to the first two photos and is not as grape colored as the last photo shows. The purple is mostly a warm (red cast) but has areas of cold grape with darker shadowy areas mixed in.
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.$ 53.64
W1895-235 Agate Watercolor Batik Wide Back ($25.60/yd)
108″ WIDE BACK
The actual fabric appears closest in color to the first two photos and is not quite as saturated as the last photo shows.
Quantity “1” is for the 2-yard 14-inch remnant piece.
(2-yd 14″ = 86″ total)
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.44
W1895-235 Agate Watercolor Batik Wide Back ($25.60/yd)
108″ WIDE BACK
The actual fabric appears closest in color to the first two photos and is not quite as saturated as the last photo shows.
Quantity “1” is for the 1-yard 5-inch remnant piece.
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George Rowney Watercolour Box c.1890$ 94.02
W1895-272 Mallard Watercolor Batik Wide Back
108″ WIDE BACK
The actual fabric appears closest in color to the first two photos and is not as bright as the last photos shows.
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‘Narcissus’ Oil on Panel as Artist’s Palette$ 92.03
W1895-174 Seamist Watercolor Batik Wide Back
108″ WIDE BACK
The actual fabric appears closest in color to the first two photos and is not quite as solid/saturated as the last photo shows.
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Boxed Set of 4 Absynthe Glasses c.1880$ 93.51
W1895-176 Ice Watercolor Batik Wide Back
108″ WIDE BACK
The actual fabric appears closest in color to the first two photos and is not quite as blue tinted as the last photo shows.
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Edwardian Inlaid Bijouterie Table, Circa 1900-1920sEdwardian Inlaid Bijouterie Table, Circa 1900-1920s$ 92.03
W1895-442 Flax Watercolor Batik Wide Back
108″ WIDE BACK
Quantity “1” is for the 30″ remnant piece.
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.$ 53.64
W1895-442 Flax Watercolor Batik Wide Back
108″ WIDE BACK
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George C. Osborne Watercolour Box, Manufactured in Philadelphia, USA, Circa 1826 – 1930$ 91.44
W1895-524 Moonstruck Watercolor Batik Wide Back
108″ WIDE BACK
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‘Narcissus’ Oil on Panel as Artist’s Palette$ 92.03
W1895-51 Chestnut Watercolor Batik Wide Back
108″ WIDE BACK
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Boxed Set of 4 Absynthe Glasses c.1880$ 93.51
W1895-179 Toast Watercolor Batik Wide Back
108″ WIDE BACK
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Champagne Flute c.1890$ 57.21
9186-01 Pastel Multi Puffs – Sweet Sorbet
108″ WIDE BACK
The actual fabric is lighter in person (like the first photo) than the manufacturers photos shows (second photo). This wide back is very light with pastel rainbow watercolor patches.
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Edwardian Inlaid Bijouterie Table, Circa 1900-1920s$ 92.03
B3094 Smile – Cute Vine Leaves
108″ WIDE BACK
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F. Darney & Co, Trammel Heads in Case. Paris c.1940.$ 53.64
B5029 Windsong – Autumn Leaves
108″ WIDE BACK